Book Review of The Taylors

Review of The Taylors by [Author’s Name]

When I first came across The Taylors, I’ll admit my interest was piqued primarily because of the author’s choice to center the plot around a middle school experience heavily woven with Taylor Swift references. I mean, how could a book about four girls named Taylor not catch my eye? As a longtime Swiftie and an avid middle-grade reader, I instinctively thought this could be the best of both worlds. However, as I turned the pages, I quickly felt like I had stepped into a Taylor-centric universe that I never wanted to explore.

From the get-go, we meet Teffy, nervously gearing up for her first day at a new 5-8 middle school. The setup promises the familiar anxieties of growing up, which I believe can resonate with young readers. Yet, my enthusiasm quickly waned as I noticed an overwhelming number of characters—four girls—each named after Taylor Swift. While I appreciate a good homage, it felt excessively forced, bordering on ludicrous. It was as though the author was trying so hard to weave in Taylor Swift’s legacy that it overshadowed the story itself.

And let’s talk about those cringe-worthy moments! I mean, referring to Taylor as “Taylor Alison Swift” literally had me groaning. As the plot unfolds, Teffy and her fellow Taylors navigate the tumultuous waters of middle school friendships, but every moment is punctuated with Taylor Swift references that felt more off-key than inspiring. It seemed to veer into the realm of fan fiction—a category I usually enjoy, but this felt like a parody at times.

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The narrative pacing felt uneven, particularly in the latter half, where the climax hit an absurd peak—attending a Taylor Swift concert not because they earned it, but through a spectacularly improbable series of events. I couldn’t help but roll my eyes at the contrived way the girls scored VIP tickets after a live news interview. This was a chance to delve deeper into the themes of friendship and resilience, but instead, it became a fairy-tale ending wrapped in excessive fan service.

Yet, I can’t disregard the moments where the simplicity of childhood—the rearview mirror of the internet age—shone through. There’s a charm to how it captures the trials of growing up, amidst a swirl of excitement and uncertainty. It’s genuine in its intention, even if it stumbles in execution.

Overall, while The Taylors may not align with my expectations as a reader, it might resonate with its intended middle-grade audience, particularly those who adore Taylor Swift. It could provide them a sense of connection in a world that often feels vast and isolating.

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In closing, I wouldn’t unreservedly recommend this book to everyone, but if you’re a young fan looking for a whimsical, Taylor-fueled journey through the awkward beginnings of adolescence, then this book might just hit the right note. For myself, it reinforced a funny reality: not every homage spells harmonious delight. Even as I put it down, I found myself chuckling at how polarizing an experience it had been. Happy reading, everyone!

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Tags

drama, family, Taylors


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